The 2025 Dublin International Piano Competition has drawn to a close in a blaze of musical glory, reaffirming its place as one of the world’s most prestigious and inspiring showcases for emerging pianistic talent. Over the course of several thrilling months, audiences both in Dublin and across the globe were treated to performances that not only displayed technical mastery but revealed the very soul of music itself.
Held across multiple stages and culminating in a breathtaking final at the National Concert Hall, this year’s edition was nothing short of spectacular. From the earliest rounds to the climactic finale, the competition pulsed with passion, discipline, and the unmistakable magic that only live music can deliver.
With contestants from every corner of the globe, the diversity of artistry on display was astounding. Each pianist brought their own voice and vision to the repertoire—some with fiery virtuosity, others with introspective poise—yet all unified by an unwavering commitment to their craft. The bar was raised to dazzling new heights, making the jury’s decisions as difficult as they were rewarding.
The Grand Final saw three extraordinary musicians take the stage, each performing a concerto alongside the National Symphony Orchestra, conducted with elegance and precision by Jonas Ålberg. The performances were breathtaking—epic in scale, emotionally charged, and filled with moments that made time stand still. The audience was transported, responding with rapturous applause and heartfelt appreciation.
At the pinnacle of this incredible journey stood Carter Johnson (28, Canada), who was awarded First Prize for a performance that was both deeply moving and technically impeccable. Johnson also received the Joe McCullough Prize for the best performance of a piano quintet, underscoring his versatility and expressive power.
Young-Ho Shin, winner of Second Prize, captivated listeners with refined sensitivity and emotional intelligence, while Anson Ying Shun Wong (24, Hong Kong), recipient of both Third Prize and the Ita Stephens Prize for best Beethoven performance, dazzled with his clarity, control, and interpretative insight.
Special accolades also went to Jihyung Youn (26, South Korea), who won the Founders’ Prize for best performance of a commissioned work—proof that the future of contemporary piano music is in safe hands. Ireland’s own Dida Condria (22) earned well-deserved recognition with the Brennan Prize and McCullough Bursary, proudly representing Irish talent on an international stage.
The competition’s success is a testament not only to the pianists, but to the tireless work of the organizers, volunteers, jurors, and sponsors. Sincere thanks are due to KPMG, Tom Corran, Stewart and Avice Harrington, the Stephens and McCullough families, Joseph Brennan, and Dennis and Ellie McCullough, whose generous support continues to make this cultural milestone possible.
As the final notes faded and the prizes were awarded by Dublin’s Lord Mayor Emma Blain, it was clear that this year’s competition had achieved something truly extraordinary. It reminded us all of the power of music to move, to unite, and to inspire.
To all who participated, performed, and supported—thank you. The 2025 Dublin International Piano Competition was not just a contest. It was a celebration of possibility, a tribute to human expression, and a gift to all who believe in the transformative power of the arts.
We can’t wait to see where these remarkable young artists go next. The future of classical music has never sounded brighter.
The 2025 Dublin International Piano Competition has come to a close, but the legacy of this magical evening will resonate for years to come. We eagerly await the next chapters in the journeys of these phenomenal young artists who, with grace and grit, brought so much joy to Dublin and to audiences around the world.
Until next time—bravo!
